Black & White

  • A cream form spreading right across black, swelling and pinching as it goes, running off all four edges. Nothing is repeated and nothing is symmetrical, yet every curve answers the one before it. Biomorphic, restless, and completely resolved. The most confident shape in the...
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  • An oval split down the middle by a thin channel of black, so the two halves lean apart without quite separating. One side is fuller than the other. That small asymmetry is the whole painting, and it's what keeps your eye moving instead of...
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  • One cut-out leaf in cream, reaching most of the way across black. The lobes are uneven, the stem runs off the bottom edge, and none of it is symmetrical, which is exactly why it feels alive rather than designed. Scissors energy, done in paint....
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  • A single vessel in warm cream, filling the canvas against flat black. No pattern, no glaze, no shadow. Just a shape that has been made a thousand times for a thousand years, drawn once, very slowly. There is something almost human in the way...
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  • A black dome sitting on the bottom edge, rising almost to the top, with a thin band of cream holding it in. It reads as a hill, or a bell, or the top of something enormous coming up out of the ground. Whatever you...
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  • One black shape on warm cream, filling almost the whole canvas, and it holds a room better than anything with more going on. The edge is hand-drawn rather than perfect, swelling and pinching as it comes down. Nothing to read, nothing to decode. Just...
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  • A cloaked figure standing dead centre in a halo of dots, everything else massing dark around it. Something is there, and it has been there a while, waiting for you to look up. Not frightening. Patient. Built from thousands of small marks so it...
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  • Two enormous eyes on bare white, built entirely from black dots, wide open and looking straight out. The lashes run down past the lower lid like they are dripping. Halftone comic-book language done by hand, so the dots wobble and the whole thing breathes....
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